tag:blogger.com,1999:blog-8509825018139758536.post6520284035898847739..comments2024-02-05T21:23:49.249-08:00Comments on Lady Eve's Reel Life: James Stewart: A Walk on the Dark SideThe Lady Evehttp://www.blogger.com/profile/11963115499930520653noreply@blogger.comBlogger19125tag:blogger.com,1999:blog-8509825018139758536.post-89746637024514304802012-02-16T17:20:45.008-08:002012-02-16T17:20:45.008-08:00Indeed, the sickly murderous look Stewart gives No...Indeed, the sickly murderous look Stewart gives Novak in the car on the last trip to the mission - he is positively terrifying. In conjunction with publicity stills where he is strangling Judy, it makes one wonder if Hitch was playing with staying faithful to the French novel's ending.Wendy P.http://www.thetestamentofjudithbarton.comnoreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-4163854463115566362012-01-31T10:50:29.984-08:002012-01-31T10:50:29.984-08:00CFB,
A true test to Stewart's acting abilities...CFB,<br />A true test to Stewart's acting abilities. He's just as good in thrillers/dramas as he is in comedies. (We'll just forget about Ice Follies for now) <br /><br />A nice write up on Jimmy!<br />PagePagehttps://www.blogger.com/profile/15063277863578004836noreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-52549996413605572732012-01-30T04:59:47.461-08:002012-01-30T04:59:47.461-08:00Awesome post. I have always thought Stewart was a ...Awesome post. I have always thought Stewart was a perfect choice for the film and have often wondered.. what happens to his character Scottie, after witnessing three deadly falls.Dawnhttps://www.blogger.com/profile/03476174860119487509noreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-34482235794449667992012-01-27T12:32:47.074-08:002012-01-27T12:32:47.074-08:00Whenever I see "Vertigo" I think it'...Whenever I see "Vertigo" I think it's Stewart's greatest performance. Then I watch "Anatomy of a Murder" and I think, that's it. Same for "Mr. Smith Goes to Washington" and "It's a Wonderful Life." <br /><br />So I can't pick and choose, but what's underlying all these performances is the angst simmering under the surface. "Vertigo" has the added layer of obsession. It's a brilliant performance.Kevin Deanyhttps://www.blogger.com/profile/07697597405552599370noreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-17314529088914075872012-01-27T12:25:08.943-08:002012-01-27T12:25:08.943-08:00But as much as I love Grant, he has a particular o...<i>But as much as I love Grant, he has a particular on-screen persona that became part of almost every performance he gave starting in the late 1940s.</i><br /><br /><br />What kind of screen persona are you talking about?Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-53024149537000724772012-01-27T11:13:17.723-08:002012-01-27T11:13:17.723-08:00Brian - Looking over Stewart's filmography fol...Brian - Looking over Stewart's filmography following "Vertigo," it seems he played mostly good guys after. I'd imagine the more shaded characters he portrayed in his Hitchcock and Anthony Mann films must've been very fulfilling as well as challenging for him as an actor.<br /><br />An interesting aspect of Scottie Ferguson and Stewart's portrayal of him is how the character evolves in the course of the film. At the start he appears to be a "regular guy" who's had a terrifying experience and developed a crippling phobia he's struggling with. As he becomes enchanted by 'Madeleine,' he seems to be losing further ground. When he saves her from the bay, takes her home and undresses her, his fixation seems to have overtaken him. Essentially, Stewart portrays a man in the process of disintegrating. In the end, Scottie has achieved the hollow victory of conquering his vertigo - at the price of his soul and everything else. Stewart is magnificent in the role.<br /><br />A great profile, Brian, thanks for taking part in "A Month of Vertigo."The Lady Evehttps://www.blogger.com/profile/11963115499930520653noreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-50202869634439647582012-01-26T13:09:32.190-08:002012-01-26T13:09:32.190-08:00What I love about Hitchcock movies in general is h...What I love about Hitchcock movies in general is how actors are tested and challenged with the roles they are playing, which in turn challenges and tests the audiences who view his films. James Stewart's performance in Vertigo, is I think, one of his very best, right up there with The Philadelphia Story and It's A Wonderful Life. What makes it so is that he is able to do away with his aw-shucks public image and challenge us to see the actor beyond the image, which he does so very well in Vertigo.hepclassichttp://fan.tcm.com/service/displayKickPlace.kickAction?u=7681590&as=66470noreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-69051024431292635362012-01-26T10:35:16.653-08:002012-01-26T10:35:16.653-08:00Thank you all for your comments and additional ins...Thank you all for your comments and additional insights into Stewart and "Vertigo." And thanks to Patty for inviting me to write about one of my favorite actors.Classicfilmboyhttps://www.blogger.com/profile/01278928051994100842noreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-55164507088576134312012-01-26T08:56:40.404-08:002012-01-26T08:56:40.404-08:00A distinguishing aspect for me of all films that I...A distinguishing aspect for me of all films that I consider truly great and memorable is that the writing, the setting, the music and the actors seem definitive. I wouldn't even want to imagine "Vertigo" taking place anywhere else other than San Francisco, and similarly, the actors have all, within my mind, become just the right part within a perfect whole. Of course, I realize that other performers probably could have fufilled their roles equally satisfactorily, although with an individual difference that might have unforseen effects. In the case of James Stewart I believe that, as you wrote, his earlier screen persona, an all-american, idealistic everyman (almost a portrait out of Norman Rockwell) provided Hitchcock with an image that he could put to creative use, or, as he was fond of doing, to subvert. Imagine "Mr. Smith Goes to the Edge of Reason". Obviously, Stewart had the talent and, more importantly, the courage to put his image at risk and show the darker layers of human nature. After the war america was struggling with a tattered idealism that found it's expression in film noir, abstract expressionism and other such forms, that revealed the nation's and the individual's dark night of the soul. Sometimes I see Scottie's loss of psychological balance as a metaphorical midlife crisis, where his entire former orientation was sent into a tailspin ("How 'Ya Gonna Keep Them Down On the Farm, After they've Seen Paree", or can Mozart ever bring you completely back after you've heard "Rite Of Spring"). One of the primary reasons that "Vertigo" will last and continue to grow in our imaginations is the brilliant casting of James Stewart, who had the vulnerability to bring to life this in-control character who now has to confront his well-ordered world being turned upside down. Stewart was perfect as Scottie because he expresses an extremely complicated, morally ambiguious character, and is still able to connect emotionally with the audience. In my mind I can imagine Stewart as the lead in "Spellbound", but I can't imagine Gregory Peck in "Vertigo". Great art is great talent, great skill and ambition, and probably helped along by great luck. James Stewart was the right guy in the right role at the right time.Motorcycle Boynoreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-75003000488815959682012-01-26T07:43:41.083-08:002012-01-26T07:43:41.083-08:00James Stewart is a star. He has shown that he can ...James Stewart is a star. He has shown that he can take on any kind of role and do it well. His career shows a growth in the types of roles he took on that is only equaled by a handful of others. John Wayne and Bette Davis come to mind.<br /><br />I certainly liked him in Destry Rides Again (1938), but Winchester '73 (1950) is a much better western with a much more troubled Stewart who eventually kills his own brother.<br /><br />Thanks for a great post on a real star.Allen Hefnerhttp://bitactors.blogspot.comnoreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-29110124400364143442012-01-26T02:35:00.397-08:002012-01-26T02:35:00.397-08:00Brian - this is a wonderful article! Stewart's...Brian - this is a wonderful article! Stewart's evolution as an actor and his shift (a little) to the dark side as he got older is one of the most interesting things (to me) about his work. Now, there is nobody who loves Cary Grant more than I do (hear that, ladies? It's hard to type when I am beating the others off with a stick), but I doubt he could have done the tortured-man bit as good as Jimmy. He and Hitchcock teamed up at just the right moment in both of their careers and have us 2 perfect films. Great post!FlickChickhttps://www.blogger.com/profile/17351624749230610755noreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-61396396542422124002012-01-25T23:30:34.074-08:002012-01-25T23:30:34.074-08:00Great piece Classicfilmboy - an excellent summary ...Great piece Classicfilmboy - an excellent summary of Stewart and Vertigo work so well together. It's interesting that Hitchcock used Cary Grant in North by Northwest - certainly a very different role but one that Stewart would have liked to play, or at least felt he wanted to continue working with Hitchcock. Perhaps that darker side in Vertigo would have spilled over in a part that Grant seemed so great for. Stewart didn't have Grant's sex appeal, but as an ordinary guy mixed up in a devious plot, he would have been great in that Hitchcock film also.Christian Esquevinhttps://www.blogger.com/profile/04442827724576856379noreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-38284518339433773112012-01-25T23:08:52.675-08:002012-01-25T23:08:52.675-08:00Well done Classicfilmboy! Loved your piece on Stew...Well done Classicfilmboy! Loved your piece on Stewart. I agree, there have been many people (at least who I've spoken to) who felt Stewart was miscast or wrong for the film, but honestly, could there be anyone else climbing those steps? Like everything about Vertigo, Stewart was a significant puzzle piece that fit so perfectly into the mosaic. Stewart's Scottie is indeed complex and the many flaws and faults he possesses makes him even more compelling. This is a man psychologically crushed, never throughout the film (except perhaps the very beginning) was I reminded that the man on the screen was not Scottie. It was a performance that went beyond "Stewart" as an actor and a persona. Its quite incredible. In my opinion, Stewart's performance is arguably one of the very best among Hitchcock's other characters. Although, I'm sure that is a debate with endless arguments. I like your evaluation of Stewart's gradual change in style and performance during his post-war period. He is indeed a great chameleon. And I do have the same feelings about Grant having a very "cary grant" character in basically most of his film portrayals. But I guess thats why we love him so much. :) Well done Classicfilmboy!<br /><br />- Brandon Kyle The Cinephile (@bkthecinephile)Beatlebrandonhttps://www.blogger.com/profile/16003409576171128178noreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-14791461769601668882012-01-25T15:59:06.568-08:002012-01-25T15:59:06.568-08:00Brian ~ I think it is fair to say this blogathon h...Brian ~ I think it is fair to say this blogathon has profoundly explored many aspects of the film, and your exploration of Jimmy Stewart’s role as an actor and as Scottie is an excellent contribution. I mentioned in my response to Michael Nazarewycz that my research on Bernard Herrmann revealed the composer initially found two faults with the film: the casting of James Stewart as John Ferguson and the use of San Francisco as the setting. He was incredulous that Stewart would feel the passion necessary for the role of Scottie. We know, from watching the film, how Stewart’s ordinary man persona acted as the perfect vehicle for his character’s downward spiral of obsession. I’m sure his very likeable early image was at odds with the darker roles, and it might have been easy to underestimate him. We can thank Hitchcock, once again, for his keen intuition and powers of observation. Thank you for your wonderful contribution to “A Month Of Vertigo” blogathon.whistlingypsyhttps://www.blogger.com/profile/06126688373252306609noreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-38471172530131283052012-01-25T15:38:22.708-08:002012-01-25T15:38:22.708-08:00Brian, a great post. Stewart's work with Hitch...Brian, a great post. Stewart's work with Hitchcock certainly reflected his dark side, similar as you mention to Anthony Mann's westerns, not just THE NAKED SPUR but in BEND OF THE RIVER and THE MAN FROM LARIMIRE. I am sure it was unsettling for audiences of the day to see good guy Jimmy in such darker roles. I love his performance here in VERTIGO, though like you, my favorite Hitchcock film is REAR WINDOW.John Greconoreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-24806581293361530372012-01-25T14:37:14.642-08:002012-01-25T14:37:14.642-08:00Brian, a great opening sentence to a post that jus...Brian, a great opening sentence to a post that just gets better as it progresses. I like the way you discuss all four films Stewart made with Hitchcock. That nicely sets up your discussion of his Scottie in "Vertigo." You talk about "the expected screen persona that’s built into the audience mindset." That's something only the best and best-loved actors (or "actor-personalities" as Andrew Sarris calls them) like Stewart and Cary Grant are able to create. But it takes a brave actor indeed to play AGAINST that persona and still maintain it, as Stewart does in "Vertigo" and, as you mention, to a certain extent in "Rear Window" (perhaps in some ways a trial run for "Vertigo"). I think seeing someone so familiar behaving so strangely--and with no pulling back from the consequences of that behavior--is what's so disturbing (a word you purposely use several times) about "Vertigo" and helps explain why audiences didn't embrace the film in 1958.<br /><br />Hitchcock seemed very sensitive to audience acceptance of his pictures. When he felt he'd done something to alienate the viewer (like killing the little brother in "Sabotage" or the false flashback in "Stage Fright"), he made sure never to repeat it. When he had a flop, he usually did something safe the next time out, a filmed play or after "Vertigo," "North by Northwest." It's my own favorite Hitchcock movie. But it's in many ways the ultimate expression of a subject he'd taken on many times before, a surefire audience pleaser with a surefire star whose character had no rough edges or hidden depths.<br /><br />Finally, thanks for the kind words about my post.R. D. Finchhttps://www.blogger.com/profile/05045080274131718843noreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-1306820793958906122012-01-25T11:23:43.018-08:002012-01-25T11:23:43.018-08:00Brian, I like that you discuss all four film colla...Brian, I like that you discuss all four film collaborations between Hitch and Stewart. It is interesting to see the evolution of this relationship--Hitch starts small, pulling back the layers bit by bit, and then finally he gets his Scottie--a character so far removed from the Jimmy Stewart brand that it is disorienting. Nice article.Kimberly J.M. Wilsonhttps://www.blogger.com/profile/09078951928157843937noreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-12948428325117858462012-01-25T09:38:27.739-08:002012-01-25T09:38:27.739-08:00Some great insights, Brian!
I have to agree with ...Some great insights, Brian! <br />I have to agree with your take on Stewart not usually being thought of as having any sex appeal, but if you cast your mind back to IT'S A WONDERFUL LIFE, you may recall the "phone sex" (sort of) scene with Donna Reed. Stewart was reportedly very uncomfortable with the whole set-up, and more generally, as you note, with his return to the screen after seeing too much horror in WWII. Very young Donna threw herself into the scene with abandon and althought it's tough to carry on a hot stuff moment when your dialogue contains any reference to upstate New York cities like Elmira, the intense result was sooooo steamy, we actually only see a clipped version of it--Capra had to scissor out the REALLY hot part. Rats, I say! And to boot, this extraordinarily erotic scene was done in ONE TAKE. Wowser! That boy can kiss! Thanks again for this lovely addition to the mix, Brian. Well done! Kay<br />www.moviestarmakeover.comMarlinehttps://www.blogger.com/profile/04442632575933706511noreply@blogger.comtag:blogger.com,1999:blog-8509825018139758536.post-84422742892835608922012-01-25T07:50:34.264-08:002012-01-25T07:50:34.264-08:00"For me, Stewart’s casting is genius, because..."For me, Stewart’s casting is genius, because it adds another level of disorientation. I doubt another actor could have carried this off."<br /><br />Love this. Brilliant observation, and such an important part of the character and the movie. Great job.Jacqueline T. Lynchhttps://www.blogger.com/profile/11047941886908178350noreply@blogger.com