There is no mistaking that drama on a grand scale is about to take place even before the first scene of The Rains Came (1939) begins. Alfred Newman's commanding score pounds, the title sequence rolls over the dark image of a rain drenched ancient city, and as each hand-lettered title appears it is soon washed from the screen as if swept away in a downpour.
The film opens on a more languid note. A group of Indian musicians plays a song, hypnotic and dreamy, beneath a tree filled with chattering monkeys. A white man, taking shade from the heat, observes from the broad veranda where he lounges. This lighter tone persists as the man, British expatriate Tom Ransome (George Brent) is visited by his good friend, Major Rama Safti (Tyrone Power), and then by an American missionary's wife bearing a party invitation. Later on, lovely and wayward Lady Edwina Esketh (Myrna Loy) arrives in India and the mood begins to shift with her troublesome presence.
|George Brent and Myrna Loy, alone in a darkened room somewhere in the palace|
|Myrna Loy and Tyrone Power at the Maharani's music school|
The Rains Came was based on Louis Bromfield's best-selling 1937 novel, The Rains Came: A Novel of Modern India. Set in the fictional Indian state of Ranchipur during the last years of the British Raj, the story follows three principal characters. Tom Ransome (Brent) is a charming sot of a British 'younger son' (aristocrat) who arrived Ranchipur seven years earlier to paint a still unfinished portrait of the Maharani (Maria Ouspenskaya). Lady Edwina Esketh (Loy) is the jaded and promiscuous trophy wife of the much older and unrelentingly boorish Lord Esketh (Nigel Bruce). Major Rama Safti (Power) is a high-caste Indian doctor who trained in the U.S. and returned to Ranchipur, bringing with him the modern practice of medicine and enlightened social values. Early on, Ransome and Lady Esketh, former lovers, meet at a party in the royal palace. After the two slip away from the festivities for a bit of private passion, they return and Lady Esketh's roving eye falls upon the handsome 'pale copper Apollo,' Major Safti. To Ransome's displeasure, Edwina makes it clear she plans to seduce the young doctor. Meanwhile, Ranchipur looks forward to the end of its dry season and all anxiously await the coming of the rain. When it comes, it arrives in an unending torrent. Soon a powerful earthquake hits and the swollen local dam collapses. The ensuing calamity disrupts the best laid plans, virtuous and scandalous alike, of everyone in Ranchipur.
|Fred Sersen's drawing for flood scene|
Cast against type (something that rarely happened once she became MGM's "ideal wife"), Myrna Loy is entirely believable as man-eating Edwin Esketh, a spoiled woman who is humbled and changed by love and circumstance. Sparks fly when Loy shares the screen with Tyrone Power. One of Power's strengths is his ability to underplay in intimate scenes. His resonant voice softens and takes on a hint of velvet as he communicates emotion through his eyes. The effect is heart-melting warmth.
Loy and Power share one especially tender scene that takes place in the early morning on a hospital ward. That scene is included at the end of the following clip which also contains a classic sequence in which the very tired Lady Esketh makes and then realizes that she's made a horrific mistake (listen for the sustained-string musical cue):
George Brent, who received third billing, is the actual male lead and he, like Loy, believably conveys his character's transformation, in Ransome's case from roue to responsible citizen. Ransome's involvement with infatuated young Fern Simon (Brenda Joyce) is the film's other dangerous romance. She is very young, he is decades older and has a reputation. This was Joyce's film debut and it shows. She is a beautiful girl but green and awkward onscreen. Zanuck had initially considered Lana Turner for the role but, unfortunately, settled on the Fox starlet instead. Solid in supporting roles are Nigel Bruce (Lord Esketh), Maria Ouspenskaya (Maharani), H.B. Warner (Maharajah) and Mary Nash (Miss McDaid). As was the custom then, all the key Indian characters are portrayed by Caucasian actors: Power, Ouspenskaya, Warner and Joseph Schildkraut (Mr. Bannerjee).
Alfred Newman's stunning score for The Rains Came is a favorite of mine. Dramatic (the main theme) and romantic (he uses the sweet and haunting "Hindoo Love Song" as Lady Esketh and Major Safti's love theme), it is also chilling (the music cues that signal danger, as in the scene shown above). Newman received an Oscar nomination for his score (as well as for three other films he scored that year: Wuthering Heights, The Hunchback of Notre Dame and They Shall Have Music). In all, Alfred Newman was nominated for 45 Oscars, won 9 (a record) and is considered one of the "three godfathers" of film music along with Max Steiner and Dmitri Tiomkin.
The Rains Came does not masquerade as a realistic depiction of India in the 1930s (there is no mention of Gandhi or British oppression), it is a visually dazzling romantic epic - a true Hollywood Movie - and irresistible.
The Rains Came airs Friday morning, February 8, at 9:30am Eastern/6:30am Pacific on Turner Classic Movies as part of its annual "31 Days of Oscar" celebration.
Special Effects - Fred Sersen, E.H. Hansen (winner)
Music/Original Score - Alfred Newman
Cinematography - Arthur C. Miller
Art Direction - William S. Darling, George Dudley
Film Editing - Barbara McLean
Sound Recording - E. H. Hansen
This post is my entry in the 31 Days of Oscar Blogathon hosted by Once Upon a Screen, Outspoken & Freckled and Paula's Cinema Club. Click here for a link to a listing of participating blogs.