Monday, February 8, 2016
Wednesday, December 30, 2015
|Leatrice as a baby, left, and in her later years|
One night in January 2010 Turner Classic Movies aired Rediscovering John Gilbert, a 45-minute documentary about the great star of the late silent era. I was aware of Gilbert and recalled that he had failed the transition to talkies because, it was said, his voice was too high and too thin. In the course of watching the documentary, which prominently featured the actor's daughter and biographer, Leatrice Gilbert Fountain, I learned that the causes of Gilbert's demise and early death were more complex than that. By the time the short film ended my curiosity was aroused and I decided to get my hands on a copy of Fountain's biography, Dark Star, so jumped online and searched. I soon found and ordered one from Amazon, but I'd also noticed that the search had turned up information on the author; she was on Facebook. So I sent her a message...and she replied.
She told me that Dark Star had been nearly twelve years in the making and had involved "tracking people down, in some cases, just in time. These were very old Hollywoodites," she wrote, "but their memories were powerful."
|Maria Riva (left) with her mother Marlene Dietrich and Leatrice|
When I first knew Leatrice this blog didn't yet exist. I was a contributor to The Classic Film & TV Cafe then and also occasionally posted on the blog pages at TCM's Classic Film Union. In July 2010 I learned through the TCM guide "Now Playing" that John Gilbert would, for the first time, be honored with a day of his own - August 24, 2010 - as part of the network's annual "Summer Under the Stars" showcase. An idea occurred to me and I asked Leatrice if she'd like to do a Q&A with me about her father for a blog post at the Cafe that would publish in advance of his day on TCM. She agreed. My original plan was to conduct an interview in writing but what I didn't know then was that Leatrice had osteoarthritis and that lengthy written answers would be too much for her. Thankfully, she suggested a phone conversation and I would finally "meet her" - over the phone - on August 5th. We must've spoken for nearly an hour and a half.
The next day she messaged me: "I can't say when I enjoyed an interview more. It was just an easy conversation with a friend..." I felt the same way. She was so comfortable to talk with, so sharp and articulate - and what memories she had!
About John Gilbert...an Interview with Leatrice Gilbert Fountain posted at The Classic Film & TV Cafe on August 23. The piece brought many comments, including this one from Leatrice:
|Leatrice in Of Human Hearts (1938)|
|Leatrice onstage at a screening|
Lady Eve's Reel Life launched on September 10, 2010, and one of my earliest posts drew on an aspect of our conversation that wasn't featured in the Cafe piece: her father's home on Tower Grove Road in Beverly Hills. Titled The House That Jack Built, it told the story of that fabled estate, home to several of Hollywood's glitterati over its five-plus decade lifetime.
Leatrice and I stayed in touch through Facebook and every so often the subject of another interview came up. It finally happened in July 2011. This time we talked more about both of her parents - her mother was silent star Leatrice Joy - and we talked about Leatrice's life in more depth. Father and Mother Were Movie Stars: Leatrice Gilbert Fountain Remembers posted in August 2011. The piece closed with these lines, "I could've asked Leatrice to reminisce for days, but her two visiting sons returned from a fishing expedition and it was time for both of us to return to the 4th of July weekend and our daily lives. We agreed to talk again soon..."
|Leatrice on Facebook|
But this was not to be, our last contact was that summer day in 2011. Leatrice suffered a stroke a few months later and would go through a slow recovery. She passed away peacefully in her sleep on January 20, 2015, at age 90.
I got to know Leatrice well enough during the year-and-a-half we were in touch to appreciate how fulfilling her long life had been. She spoke warmly of her beloved five children and many grandchildren; she had traveled the world and become a respected figure in the world of classic film; and she had rescued her father's tarnished reputation with her biography. The woman who so generously shared her amazing memories with me was extremely bright, gracious and witty. But what I seem to recall most and can still hear, is her lovely voice. Rich and melodious, like the chime of fine aged crystal, it's beauty seemed to personify her.
TCM Remembers 2015. Watch for young Leatrice Joy Gilbert as seen in Of Human Hearts at 1:54.
Thursday, December 10, 2015
It was the age of "Yeah, yeah, yeah," Carnaby Street couture and "Bond, James Bond." The Beatles ruled the world of popular music, having launched the "British Invasion" with their performances on The Ed Sullivan Show early in 1964. A year later that takeover was in full force, and yet for Frank Sinatra, on the verge of turning 50, 1965 would be a very good year.
Saturday, December 5, 2015
Many a press release finds its way into Lady Eve's inbox. All are read, but most are quickly deleted. Random Media's recent announcement of the release of 100 Years of Harold Lloyd on iTunes this month is important, I think, and of interest to classic film fans, and so...
Thursday, November 19, 2015
For the Criterion Blogathon
With the release of one of 2014's most unique films, Wes Anderson's The Grand Budapest Hotel, came an avalanche of publicity. The influences on Anderson's much acclaimed and awarded bittersweet romp through a fictional between-the-wars Old Europe, were widely scrutinized in the mainstream press for a time: German writer Stefan Zweig (1881 - 1942), whose autobiography The World of Yesterday was a core inspiration; German-born filmmaker Ernst Lubitsch, who made a string of enchanting films of great charm, sophistication and wit through the '30s and '40s; Edmund Goulding's lavish Oscar-winning Grand Hotel (1932); and Max Ophuls, another German-born filmmaker, whose elegant works were marked by deep wit, a cosmopolitan world view and an affinity for Old Europe which he depicted on screen with great style and tendresse many times. Ophuls's Letter From an Unknown Woman (1948) is arguably the greatest film adaptation of Stefan Zweig's work and, more directly linking Ophuls to The Grand Budapest Hotel, the name of Tilda Swinton's character, "Madame D," is a nod to the Ophuls masterpiece, The Earrings of Madame de... (1953), the film Wes Anderson named first on his "top ten" list of Criterion Collection titles.
Saturday, November 14, 2015
|Cary Grant and Audrey Hepburn in Charade (1963)|
Thinking of Paris and all of France today, and some films that evoke my own deep affection for that great city and beautiful country.
"Bonjour, Paris," Fred Astaire, Audrey Hepburn and Kay Thompson in Funny Face (1957)
Margo Martindale in Alexander Payne's most charming vignette for Paris, je t'aime (2006)
at Rick's Cafe Americain in Casablanca (1942)
...and closing with scenes of Paris and its people accompanied by Sidney Bechet's "Si Tu Vois Ma Mere," the the main theme from Woody Allen's Midnight in Paris (2010).